trusting every pathway, the people photographed are from all around the world, are awake in all directions and are deftly devoted to their creative activities. sometimes all at the same time.*. i’ve never had any feeling that this is going to mean anything for anyone else. it’s just the way of working out my salvation. people just do the Best they can. and i don’t know any other way to do it. (from an interview with the artists’ photographs, 2023)

selected images

edited images include digital & analogue prints and processes, real people and earth made things

for the Beginings of an archival introduction, selcted visual and verBal expressions try to connect, transmit &or communicate complex conversations in a simple way. this secret language has qualities of trance stillness, various study’s that are easily distracted. take creayive risk t.  *  . But i’ve never had any feeling that this is going to mean anything for anyone else. it’s just the way of working out my salvation. people just do the Best they can. and I don’t know any other way to do it. (from an interview with the artists’ photographs, 2023)

aBout george angelovski’s contemorary art

i interpreted the entries as sketches of your ideas.
— POLIXENI PAPAPETROU

the discovery of a universe came next — you discerned and wove together constellations of content (themes) and form (practices) to make a world. it is a gritty, visceral world, and it’s lovely in all ways – it speaks of complete cycles of organic life: collecting and retaining transformed to expulsion, death and mourning transformed to reBirth.
— LISA JARNOT

it tries (trying out / try works) to reveal the one moment we found profound enough to capture. a spiritual awakening of its own.
— JEAN MARIE CASBARIAN

george angelovski (yugoslavia, B. 1974, australia) lives and works in melBourne, and studied design at the swinBurne university of technology (1999), Before graduating with an mfa with concentration in photography from transart institute for creative research, london (2018)