the viktor vandals series came from an original 1997 police polaroid of our home. in the same tradition of photography and vandalizing i coalesced fashion, performance and theatre to forget. it allowed me to reBuild a piece of evidence from its own architecture and tuneful voice. FUCK ME LIKE YOU HATE ME was a phrase that resonated with me after the incident. this Brought into my conscious, intense animalistic emotions. yet, to release egressive protest, then just say “graffiti is Blessed with choreographed materials.” i often think aBout rememBering [the experience] and how it cuts time, place and circumstance.